You may expect a warm and fun atmosphere where we will be exploring movements and physicality together. We will be flying high and moving low, with movements and qualities that also incorporate floorwork and acrobatics inspired by nature and animals and with a certain focus on explosivity:, how to build it, control it and release it. Through these classes, I hope you will build strength from pushing your physical body, and we will be working on awareness and control by exploring where your control ends, and instinct perhaps takes over. We will also be working on a softer side where breath and the awareness of this will be the main focus. Together we will explore our bodies’ limits and try to discover what aesthetics lies there. I hope to explore and share my passion with you. 

The classes are held at Dansehallerne, Franciska Clausens Plads 27 DK-1799 Copenhagen V.

Dansehallerne has an elevator with step-free access to all floors. Accessible and gender-neutral toilets and wardrobes are available on the ground floor.

We kindly ask you to arrive 15 minutes prior to class in time for check-in with the QR code on your ticket.

All members can participate in Dansehallerne’s training activities – a year-round program with approximately 5 days of training per week and now also workshops every other week. This is for all professional members regardless of background in dance training, and it is also possible to participate in a drop-in class.

International guests can participate in training for free for up to 1 month. If you have comments or good tips for the training program, you can always send an email to the curators; trainingcurator@dansehallerne.dk

Alexander Montgomery-Andersen is an Arctic dance artist of the Greenlandic diaspora. Alexander has worked with AVIAJA Dance, Bobbi Lo Produktion, Marie Topp, and Nodapako by Antero Hein. In recent years, Alexander’s personal artistic work has focused on the exploration of identity and how we choose to define ourselves within our surroundings. Physically, his focus has been on the body’s physical limitations, and he looks at ways in which this can correlate with aesthetics and evoke feelings in an audience.