Departing from hope as a passive emotion that does not incite action but rather exteriorises it, I discuss contemporary artistic practices whose work proposes non-linearity and refusal as potent, active vessels for ‘otherwise’.

Departing from hope as a passive emotion that does not incite action but rather exteriorises it, I discuss contemporary artistic practices whose work proposes non-linearity and refusal as potent, active vessels for ‘otherwise’.